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Cuerpas Project

Get involved in the creation of a collective piece with Marcela Santander Corvalán! It will be conceived as a wandering performance, which will be presented during the 1km of dance event on May 17, 2025, in Pantin.

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Literary office hours Hélène Giannecchini

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Off-site classes

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One-off events

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Cultural Diffusion

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Printemps 2025

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Buru Isaac Mohlabane Artist support

The CN D is providing Buru Isaac Mohlabane with tailor-made support as part of his project to set up a dance academy in Johannesburg (South Africa).

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« Des avant-deux à l’avant-deux, description et documentation d’un métarépertoire de l’ouest de la France »

by Marc Clérivet and Tristan Jézéquel Coajou

The most comprehensive possible catalogue of ‘avant-deux’ variations collected in western France, combined with a typological study summarising the forms, movements and steps used to identify its invariants and fundamental structures.

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« Danse Épémé des Hadza de Tanzanie »

by Danièle Lévêque, Philippe Geslin

In response to a request from the Hadza hunter Nyéréré Kishawali, this is a notation of the ritual practised by the Hadza hunter-gatherers of Tanzania, which takes place on a pitch-black night following a codified choreography, without music, to the rhythm of songs and whistles.

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« Rachel Rosenthal, artiste du Woman's Building dans les années 70 à Los Angeles »

by Maurice Broizat

A reflection on practices of collage, assemblage and entanglement in dance, and a re-examination of categories of identity, as explored by the American multidisciplinary artist Rachel Rosenthal, choreographer of the performance and co-founder of Woman House and Woman’s Building.

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« Pour une pédagogie Hip Hop enjeux et opportunités pour la transmission des danses hip-hop »

by Camille Thomas, Philippe Almeida, Ucka Ludovic Ilolo, Lou Germain & Laura Steil

Applied research by educators focusing on specific issues within hip-hop dance, where training is predominantly self-taught, where informal practice takes place in studios or clubs, inspired and fuelled by the circulation of videos, and shaped by peer-to-peer transmission, ‘learning through the body’, improvisation and resourcefulness.

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« Le répertoire chorégraphique de Kuttalam M. Selvam »

by Joël Riou et Ofra Hoffman

A collection of sheet music documenting the technique and repertoire of Kuttalam M. Selvam, son of the master Muthuswamy Pillai (1921–1992), whose teaching takes place mainly through private lessons and consists of specific sequences tailored to each of his pupils.

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