« Rachel Rosenthal, artiste du Woman's Building dans les années 70 à Los Angeles »
by Maurice Broizat
A reflection on practices of collage, assemblage and entanglement in dance, and a re-examination of categories of identity, as explored by the American multidisciplinary artist Rachel Rosenthal, choreographer of the performance and co-founder of Woman House and Woman’s Building.
As part of the research and assessment presentations held on 01.15.25 at the Briqueterie CDCN in Val-de-Marne