Cecilia Bengolea François Chaignaud Trajal Harrell Marlene Monteiro Freitas

Part "M" in the Twenty Looks or Paris is Burning at The Judson Church series, (M)imosa takes the following postulate as its starting point: "What would have happened in 1963, in New York, if a figure from the Harlem voguing scene had gone all the way into Downtown in order to dance alongside the pioneers of postmodern dance?" Trajal Harrell, Marlene Monteiro Freitas, François Chaignaud and Cecilia Bengolea concoct a hybrid show which pools questions and answers in the form of a performance for four moving bodies. The result is rich in pop-inspired solos and spans half a century of choreographic claims and demands. What is a norm, a contemporary dance, or the act of surpassing something? (M)imosa then transforms into a fashion parade, a homage to Jenny Livingston's mythical documentary on the New York vogue scene, Paris is Burning, as well as on the research going on at the Judson Memorial Church and the tenants of postmodern dance. Gestures and sounds collide in a wildly inventive manner.