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This ‘online’ version of the Canal event allows you to discover 29 artistic projects.For the 2025 edition, 9 French structures and 5 structures in the southern Mediterranean active in dance are taking over cnd.fr to present the work of 29 artistic teams that they support.Since 2020, Canal has also been inviting international structures, in 2025, the southern Mediterranean will be in the spotlight.

with Wallonie Bruxelles Théâtre Danseand Flanders Arts Institute

Dance artists can benefit from a rehearsal space for a short period. This non-selective scheme is aimed at professionals of the dance sector who are part of a legally established organisation. The provision of studios scheme is suspended in Pantin whilst building works are underway. It is running at the CN D in Lyon under the usual conditions.

With Catalan Arts, Institut Catalan des Entreprises Culturelles. Generalitat de Catalunya.

The residencies aim to support the creation of projects selected by the CN D team by hosting working periods of between one and three weeks. This scheme does not involve any financial support. Previously subject to regular calls for applications, this scheme has been adapted for Pantin whilst the building is undergoing renovation, given the limited number of studios available.

With Pro Helvetia

Through the Canal project, CN D makes its location, resources and spaces available to the entire choreographic sector by invited French cultural institutions of various accreditations (CCN, CDC, Scènes conventionnées; Scènes nationales, festivals, etc.). Since 2020, Canal has also invited international structures. The idea is to federate: to offer these projects and supported artists renewed exposure in a common space-time. The programming and the forms proposed are left to the free choice of each structure: short extracts, run throughs, projections, oral presentations and so on. This year, th…

CN D is presenting an "online" version of Canal to provide artists with a broader platform for expression.Canal online is organised with the support of Caisse des Dépôts, the principal patron, and with the support of ONDA – Office national de diffusion artistique – as part of its program to support digital productions.