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Filipe Lourenço

Théâtre Louis Aragon, scène conventionnée d’intérêt national Art et création – danse

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Mellina Boubetra

Théâtre Louis Aragon, scène conventionnée d’intérêt national Art et création – danse

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Printemps 2024

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« Ann Hutchinson Guest, une vie de notation »

by Cassia Sakarovitch, Raymundo Ruiz González

Production of an in-depth filmed interview with Ann Hutchinson Guest, a leading figure in notation, who shares some of her thoughts on Laban notation, its history and the issues surrounding it.

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« Transmission et notation : Le loup et l’agneau [chorégraphie Béatrice Massin] »

by Laurianne Faure, Romain Panassié and Béatrice Massin

Production of the score (Benesh) for this five-part duet by Béatrice Massin, staged fifteen years after its premiere, leading to research into the distinctive features of the artistic work of the choreographer, who was personally involved in the staging process.

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« Forme simple [chorégraphie Loïc Touzé, février 2018] »

by Magali Brument and Loïc Touzé

Composition of the score for this piece, created using 15 of Johann Sebastian Bach’s 30 Goldberg Variations – a suite of dance movements and choreographed narratives inviting the audience to listen to the rhythms, nuances, glides, attacks and jerks…

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« Notation en cinétographie Laban du solo On The First Counterpoint de Nina Vallon »

by Flora Rogeboz

Production of the score for a solo piece comprising eleven phrases, premiered in 2007 with the composer Thierry De Mey, based on the first counterpoint from Johann Sebastian Bach’s "The Art of Fugue".

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Formation

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« Glossaire visuel des fondamentaux de la danse en langue des signes et français »

by Jos Pujol

Design of a bilingual teaching resource in French and French Sign Language (LSF) aimed at making dance more accessible to deaf people, focusing on some of its fundamental concepts – space, the body, movement, time and relationship.

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« “Donner la palabre”. Entretiens sur l’improvisation du Body Weather »

by Christine Quoiraud

A collection of statements from participants interviewed about their use of the proprioceptive approach in direct interaction with the environment, as practised by the dancer Tanaka Min in Europe and Japan in the 1980s.

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« En-quête : dialogue avec Laurence Louppe-indice d'une présence »

by Laurence Saboye

An exploration of a framework designed to stimulate the active and dynamic dimension of the thinking of the historian and critic Laurence Louppe, examining in particular some of her analytical concepts (‘state of the body’, ‘forces of the body’, ‘sensible body’, ‘pre-movement’).

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« DéBOULé, histoires, esthétiques et corporéités d’une pratique sociale singulière du carnaval de la Guadeloupe »

by Clémence Baubant and Charlotte Siepiora

A study and transcription of a distinctive feature of the Guadeloupe carnival parade, focusing on the choreographic, musical and social structure of this tradition, examined from both a historical and an aesthetic perspective.

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