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When I wanted to write, I immediately sensed that there was a combat to conducted to allow for the admission of modern dance, I didn’t want to criticise dance, that didn’t interest me, but I wanted to help modern dance. Thus did Lise Brunel (1922-2011) confide, in the late 1990s, to Marilén Iglesias-Breuker what had deeply driven her throughout her career as a journalist and writer specialising in dance: a passionate love for the choreographic art which pushed her into writing “through empathy”, in the words of Jean-Marc Adolphe (cf. La Collection Lise B: regards sur la danse contemporaine / u…

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