15.01.25 — 14:00
La Briqueterie CDCN du Val-de-Marne
“Rachel Rosenthal, Woman’s Building artist in 1970s Los Angeles. A look back at this major period in the history of feminism to approach her performance method (DbD-Doing by Doing), through the contextual prism.”
by Maurice Broizat
A reflection on the practices of collage, assemblage and entanglement in dance, and the questioning of identity categories by multidisciplinary American artist Rachel Rosenthal, performance choreographer and co-founder of Woman House and Woman's Building.
“For a hip-hop pedagogy: challenges and opportunities for the transmission of hip-hop dances”
by Camille Thomas, Philippe Almeida, Ucka Ludovic Ilolo, Lou Germain, Laura Steil
Applied research by a group of pedagogues focusing on the specific challenges of hip-hop dance, where training is mainly self-taught, informal practice takes place in classrooms or clubs, inspired and fueled by the circulation of videos, and shaped by peer-to-peer transmission, "body-based" learning, improvisation and resourcefulness.
“Does the Feldenkrais Method promote choreographic plasticity in the performer?”
by Corinne Garcia and Valentin Verdier
A reflection on the uses of the Feldenkrais Method as a tool for cultivating and enriching the choreographic plasticity of any performer required to adapt, in a context of urgency and unpredictability, to the frequent transition from one choreographic universe, one dynamic repertoire of motor signature and presence to another.