19 > 21.03.20
CN D Lyon
The human beatbox explores a broad range of vocal techniques, and is a vector for an “instrumentalization” of the body. At the same time, dance draws on an anchoring on the ground to find its respiration and organic voice. It is also a vector for a genuine musicality. How do a dancing body and a singing body enter into resonance? How to accord or desynchronise gestures and the voice? What to transcribe from the movement or sounds that are produced?