24 > 28.06.19
CN D Pantin
Trained at the École Supérieure Nationale des Arts de la Marionnette of Charleville-Mézières, Jonathan Capdevielle has performed with Lotfi Achour and Yves-Noël Genod. He has worked with Gisèle Vienne since his debut, and has performed in most of her pieces. In 2009, he started developing his own work, mingling autofiction, narratives and personal stories, imitations and allusions to popular culture. He has created Adishatz/ Adieu (2009), Saga (2015) and À nous deux maintenant, (2017). He is currently preparing Rémi, a piece for young audiences, adapted from Hector Malot’s novel Sans famille (‘Nobody’s Boy’).
Jonathan Drillet is an actor, director and author. He works in dance, theatre, radio, television and the visual arts, collaborating with Gerard & Kelly, Raimund Hoghe, Hubert Colas, Christophe Honoré, Jonathan Capdevielle, Théo Mercier or Julien Prévieux. Since 2008, he has been writing and directing his own shows with Marlène Saldana, including Dormir sommeil profond, l’aube d’une Odyssée, or Fuyons sous la spirale de l’escalier profond. They created Le Sacre du printemps arabe (2017) at the CN D and worked again with Théo Mercier on the creation of La Fille du Collectionneur (2018).
Popular tableau (bugger sad speeches)
Jonathan Capdevielle and Jonathan Drillet are proposing a theatre workshop for dancers, whose object is the study of a collection of erotic poems by Paul Verlaine. Defending a multifarious, broad notion of love, through a bodily writing which focuses closely on flesh, movements and positions, these poems will act as the basis for improvisations and the construction of a living tableau in which a multitude of voices can express themselves. Thus, the aim is to cause poetry, speech and words to rise up from bodies, based on vocal techniques and a body-voice dissociation.
Jonathan Capdevielle presents Les Bonimenteurs on this edition of Camping.